During the early twentieth century, the arts community in Oregon was small and,  isolated, and offered offering few opportunities for artists to exhibit and sell their work. While the Portland community valued public engagement with arts and culture, establishing an art museum, symphony, and a public library, local artists were isolated from the wider national art community due to a lack of commercial gallery space to show and sell their work.

Decades later, in 1961, Arlene Schnitzer, along with her mother Helen Director and friend Edna Brigham, started the Fountain Gallery. The commercial art gallery, named after its location near the Skidmore Fountain, became a hub for Pacific Northwest modern artists and helped raise the status of the Portland art scene.

Arlene’s son, Jordan Schnitzer, purchased his first work of art when he was fourteen years old. It was through her and her gallery that his initial acquisition turned into a lifelong pursuit to collect, share, and promote the visual arts. Jordan Schnitzer is now recognized as one of the Top 200 Collectors globally (ARTnews). His collection, one of the most notable in North America, functions as a living archive to preserve art for future generations and share it with the public through groundbreaking exhibitions, publications, and programs.

Arlene Schnitzer was quoted as saying, “A city without an art community has no soul.” Honoring her legacy and influence on the history of Portland, A Fountain of Creativity features a range of bold, evocative, and influential works created by Pacific Northwest artists from the Collections of Jordan D. Schnitzer and His Family Foundation — many on public display for the first time. Featuring notable artists such as Louis Bunce, Carl Morris, Hilda Morris, Mike Russo, and Mel Katz, this original trio of exhibitions reflects the enduring legacy of Arlene Schnitzer and the Fountain Gallery and the ways that her work has helped feed the soul of Portland and of arts and culture across the state.

A Fountain of Creativity Parts 1 and 2 are on view at the Oregon Historical Society from June 28, 2024, through January 2, 2025 (Part 1) and November 1, 2024, through May 4, 2025 (Part 2). Part 3 is on view from November 1, 2024, through April 15, 2025, at The Schnitzer Collection exhibition space located at 3033 NW Yeon Avenue in Portland. Admission to The Schnitzer Collection exhibition space is free, and public viewing hours are Tuesday through Friday from 3 p.m. to 5 p.m. Educational tours are available upon request; please use this online form to schedule your tour.

David Hockney: Perspective Should Be Reversed presents a wide body of works produced during a six-decade-long career. It features nearly 200 of the artist’s works in a variety of media, including prints, collages, photographs, iPhone as well as iPad drawings. The exhibition highlights Hockney’s lifelong experiments with non-traditional perspectives for depicting the world and foregrounds his early interest in expressing his identity as a gay man.