In light of the Richard Serra: Prints exhibition currently on display at the Nasher Sculpture Center through the end of the month, Stanford University Ph.D. Candidate, George Philip LeBourdais, penned a timely editorial for Artsy discussing how Serra shaped the discourse about public art with the controversy over his Tilted Arc art piece in the Jacob K. Javits Federal Building in lower Manhattan.

Writer, Ester Barkai, features Oregon State University's latest exhibition, Cultural Conversations, in the latest issue of Eugene Weekly and delves into what it really means to "appreciate diversity."

Tom Strini, Editor and writer of the Corvallis Review, profiles the reception for the new exhibition at Oregon State University, Cultural Conversations, as well as Portland art collector and philanthropist, Jordan Schnitzer.

On Wednesday, Oregon State officials announced both a $25 million donation and plans for a new performing arts & education complex on the campus which will house OSU's music and theater programs in addition to a variety of other initiatives.

Aaron Scott, producer and reporter for the weekly arts radio show State of Wonder at Oregon Public Broadcasting, recently traveled to Pendleton, OR to visit the latest exhibition at the Pendleton Center for the Arts, Chuck Close: Selections from the Collections of Jordan D. Schnitzer and His Family Foundation.

In a recent article in the Wall Street Journal, reporter Alexandra Wolfe analyzes Alex Katz' early work in a new exhibit at the Cleveland Museum of Art, Brand-New & Terrific: Alex Katz in the 1950s, and discusses how the artist developed his signature style.

Andover, Massachusetts (March 30, 2017) — This spring, the Addison Gallery of American Art, located on the campus of Phillips Academy in Andover, Massachusetts, will present Frank Stella Prints: From the Collections of Jordan D. Schnitzer and His Family Foundation. Throughout his prolific and influential career, Frank Stella, a Phillips Academy alumnus (Class of 1954), has been a major figure in the art world, internationally hailed as one of America’s most significant artists. In his paintings, metal reliefs, sculptures, and prints, he has explored abstraction, which emerged during the early twentieth century in the innovations of artists such as Vassily Kandinsky, Kazimir Malevich, Piet Mondrian, and Pablo Picasso. A pioneer of minimalism in the 1960s, Stella continues to experiment and innovate, creating some of the most daring work to be seen today. Frank Stella Prints, organized by the Madison Museum of Contemporary Art in Wisconsin and curated by Richard H. Axsom, will be on view at the Addison through July 30, 2017, accompanied by The Gifts of Frank Stella, an exhibition highlighting works generously donated by the artist to the Addison.

Steve Pfarrer, staff writer for the Daily Hampshire Gazette, spotlights the University Museum of Contemporary Art's featured exhibitions, Emancipating the Past: Kara Walker’s Tales of Slavery and Power and Monster Energy, the culmination of artist Caitlin Cherry's printmaking-residency collaboration with the UMASS Printmaking Studio.
 

In the latest issue of Art & Antiques Magazine, writer Carter Ratcliff profiles the art of the late abstract painter, James Rosenquist, exploring the ways he juxtaposed the figurative and non-figurative to create his own unique style of abstract art.

The theme of the 21st Oregon College of Art and Craft Art on the Vine, Innovation in Making, incorporates the shift of digital technology into the world of craft and art. As attendees entered the Portland Art Museum, they were met by two 3D printers at work. Not your usual site at a gala, the printers were from the newly established OCAC FabLab, a digital fabrication laboratory funded the MJ Murdock Charitable Trust.