Art Daily reports that the Fralin Museum of Art at University of Virginia welcomed a record-breaking 900+ students at last week's opening of Richard Serra: Prints. Exhibition lender Jordan D. Schnitzer spoke to students about Serra's works and his experiences collecting and sharing art.

Two Floors Feature James Rosenquist, Andy Warhol, and Much More

JACKSONVILLE, FLORIDA (January 22, 2016)— Printmaking is taking over the Museum of Contemporary Art Jacksonville, a cultural institute of the University of North Florida. Two floors display the art of printmaking, including two featured exhibitions, the UNF Gallery at MOCA, and the Permanent Collection.

Time Zones: James Rosenquist and Printmaking at the Millennium is MOCA Jacksonville’s self-curated exhibition running February 13 through May 15 on the second floor.

In Living Color: Andy Warhol and Contemporary Printmaking from the Collections of Jordan D. Schnitzer and His Family Foundation takes over the third floor.

The Other: Nurturing a New Ecology in Printmaking features twenty-three women who expand the definition of printmaking in the UNF Gallery at MOCA.

The Beloit Daily News' Jennifer Tranmer reports that the Madison Museum of Contemporary Art is "proud to highlight an extraordinary artist’s 50-plus year career as a printmaker" with its exhibit Frank Stella Prints: A Retrospective, drawn from the collection of art collector and philanthropist Jordan D. Schnitzer.

UVA Today featured the Fralin Museum of Art's four spring exhibitions, including Richard Serra: Prints. The exhibition, drawn from the collections of Jordan D. Schnitzer and his Family Foundation, brings the renowned sculptor's lithographic prints to the University of Virginia from January 22nd through May 8th.

The Branding Iron, the student newspaper of University of Wyoming, reflects on "art as a source of dialogue" in its recap of the opening panel discussion of Emancipating the Past: Kara Walker's Tales of Slavery and Power.  A panel of three UW professors - Kerry Pimblott, Peter Fine, and Colleen Denney - joined internationally recognized art collector and philanthropist Jordan D. Schnitzer to discuss the powerful exhibit in conjunction with the University's MLK Days of Dialogue program.

The Wyoming Tribune Eagle's Ellen Fike writes about the two new art exhibitions to open at the University of Wyoming Art Museum. Both exhibits, Emancipating the Past: Kara Walker's Tales of Slavery and Power and The Harper’s Weekly Illustrations: Winslow Homer’s Americana, Fike writes, "have plenty of practical application to modern discussion of race and national pride in America."

Laramie Live reports on the latest exhibits to open at the University of Wyoming Art Museum, including Emancipating the Past: Kara Walker's Tales of Slavery and Power, drawn from the collections of Jordan D. Schnitzer and his Family Foundation. Jordan Schnitzer led a walkthrough of the exhibit and panel discussion of Kara Walker's artwork on February 2nd.

The Wisconsin State Journal's Gayle Worland talks to Madison Museum of Contemporary Art Curator Rick Axsom about the upcoming exhibition Frank Stella Prints: A Retrospective. This "big, bold" show features over 100 prints from Frank Stella's repertoire of innovations in abstract art, drawn from the collections of Jordan D. Schnitzer and his Family Foundation.

Isthmus, the independent weekly of Madison, WI, recommends Frank Stella Prints: A Retrospective at the Madison Museum of Contemporary Art as an "Isthmus Pick." The exhibit features over 100 prints from the acclaimed American artist Frank Stella, featuring his "groundbreaking minimalist and abstract imagery." The prints in the exhibit are drawn from the collection of Portland-based philanthropist and art collector Jordan D. Schnitzer.

The Capital Times interviewed Madison Museum of Contemporary Art Curator Rick Axsom about the exhibition Frank Stella Prints: A Retrospective, drawn from the collections of Jordan D. Schnitzer and his Family Foundation. The exhibit charts 37 years of Frank Stella's nearly 60-year career, documented in a selection of 85 prints made between 1967 and 2001.